Thursday, December 17, 2009
gt_2p creates creates curvilinear table using parametric software
Tuesday, December 15, 2009
SLIDING LATTICE
This screen system is an aggregation of a modular unit based on the four foot by eight foot size of a standard sheet of plywood. In order to reach the full 10’-1” height of the faculty center, there is a 30”x48” stationary shelf put together with slab inserts to connect three sheets to create shelves and add structural integrity. The movable wall is placed on the stationary shelf on a track to allow a shift to create a barrier and allow access into the desk area. The movable wall is three sheets of plywood that is laminated together using wood glue and metal fixtures. The imposition of a rotated grid each sheet of plywood creates a system of apertures which can be both scaled and shifted to create variable sizes and densities of penetration in the screen to suit site and programmatic needs. The gridded apertures are cut out by a water jet cutter.
To meet the programmatic considerations for the faculty center wall installation, we diagrammed areas of acoustic density as well as sight paths. Based on the need for a physical barrier between the hallway and workstations in the faculty center, the plan location of the screen is fixed in the plane of the beam which runs parallel to the hallway. Runners are mounted in this plane on both floor and ceiling in order to be able to slide the screen so that it can function as a barrier while still allowing access. The acoustic and optical considerations are developed in elevation in conjunction with the sectional structural needs of the screen.
The elevation was developed into three integrated zones. Zero to three feet high accommodates an additional programmatic element in the form of shelving. Three to six feet high is the area of highest acoustic and sight line density based on the height of people both sitting and standing, and thus has the smallest and greatest density of apertures. At approximately six feet high to the ceiling, apertures are larger and less dense in order to allow more air and a lesser intensity of sound through the screen. In section, the shelving at the bottom is the thickest accumulation of plies in order to provide surface area for the shelving. The top section of the screen is also thicker than the middle in order to provide the necessary structural integrity at the points the screen is hung from.
New York City and Paris ‘Map Cuts’
The Diploid Lamp series explores multiple patterns inspired by nature such as scales, honeycombs, and barnacles. Using parametric modeling, scripting, and digital fabrication, the light’s geometry is created, refined, and produced. Each lamp is custom designed and hand assembled from digitally fabricated paper components. The series is composed of five individual lamps and is an ongoing project.
this project really took everything that we touched up on this semester and made it into a project, a very successful project.
A Parallel Image
“A Parallel Image” is an electronic camera obscura, made by Gebhard Sengmüller, in collaboration with Franz Büchinger. It is an interactive sculpture which can capture and display images. On one side is a camera made of 2500 photo senser which are mounted on a 1 by 1 meter board. On the other side there is the monitor with 2500 light bulbs to display to image. In between each sensor and light bulb there is a 3 meter long copper wire. The resolution of this sculpture is of course quite low, but the aesthetic of the device is very nice.
Monday, December 14, 2009
Light+Sound
Through an analysis of the light and sound conditions of the faculty center a wall surface was generated. This surface was then perforated with continuous parallel apertures of varying densities. While the form of the surface itself responds to mappings of the existing lighting and sound conditions, the variation of apertures respond to programmatic needs as well as the opportunities in blocking or allowing of views. Some of the possible functions of the wall are portfolio storage or bookshelves. Books can be arranged by the user in order to block unwanted views or create privacy.
Friday, December 11, 2009
PTG Curtain
The concept is to interrogate both the curtain wall and material to achieve new attitudes towards design intent. Horizontal bands of PTG plastic are fastened together and stacked vertically to create a pliant partition. The common notion of a hard curtain wall is contested two fold; primarily due to the softness of boundaries and secondly due to interaction/operability.
“...old materials are deployed to affect in new ways the old perceptions of space, precisely because of the expectations of how the familiar materials should behave.”
-Manufacturing/Material/Effect
Wednesday, December 9, 2009
Mobile Wall Panels by morphogenesis
Tuesday, December 8, 2009
Hands on computer modeling
http://www.designboom.com/weblog/cat/16/view/8404/lumino.html
As interfaces for the digital realm become more and more sophisticated, the user gains ever greater control over the construction and crafting of the project. If you build a model by hand, but it resides in the digital realm, could it be considered "hand crafted"? These distinctions between hand and digital construction could perhaps become blurred through the use of digital interfaces like the Lumino shown here. Cubes filled with glass fibers that allow light through can be stacked and moved to control a tabletop computer. Current applications of the Lumino blocks include a construction kit, control knobs for tasks like photo editing and playing simple games like checkers.
Curtain Door
http://www.arplus.com/9855/ar-emerging-architecture-2009-winner-3-of-4-curtain-door-surat-india-by-matharoo-associates/
A design successfully incorporating a sinusoidal curve: "At 5.2m high and 1.7m wide, the door is comprised of 40 sections of 254mm-thick Burma teak. Each section is carved so that the door integrates 160 pulleys, 80 ball bearings, a wire-rope and a counter weight hidden within the single pivot."
Having begun to explore Grasshopper and the design opportunities inherent in the program, this door (though it may or may not have been designed using Grasshopper) points to design options which might incorporate that affect of transformation by rule set. Rather than simply stop the design at a certain point on the slider within the digital realm, users can adjust the "slider" - whatever that may become, pulleys or otherwise - to fit their own circumstances or moods in the physical world.
felt and fabric walls
Lumiwood
Branching Morphogenesis
Digitally Fabricated City
Rotary Weaver
DIYLILCNC
pAlice
experiencing void
Monday, December 7, 2009
Flexible Wall
Friday, December 4, 2009
BanQ
Aqua Tower
Performative_Facade
Thursday, November 19, 2009
Edible Wall
Perhaps Galina would like an edible wall installation next to her desk. She could grow herbs and even fruits and vegetables for faculty members' lunches. Terry could have a raspberry plant growing through her wall partition, supplanting the ubiquitous dish of candies on her desk. If the faculty center acquired a fish tank, as every institutional lobby building type should, the fish poop could feed the plants while the plants filter the fishes' water. To complete the loop, we will punch a skylight in the center of the ceiling so that a solar panel can run the vertical farm's water pump. Inka Biospheric Systems' Sun Curve (its vertical farm + fish tank + solar power design) has a battery which can even store enough power to run Galina's laptop, or charge her cell phone. Digital fabrication can be implemented to mill the lattice work for vine tendrils to grow up the wall. The extreme functionality as well as increasing popularity of "green" and "sustainable" architectural elements today makes the edible wall a clear choice to enhance Woodbury's image as a cutting edge institute for architectural learning.
http://dirt.asla.org/2009/11/19/edible-walls-grow-in-popularity/
http://www.treehugger.com/files/2009/11/vertical-farm-fish-tank.php
Tuesday, November 17, 2009
Memorial Tree
The memorial tree was completed by australian architects M3architecture.